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Gagosian’s final exhibition at 980 Madison Avenue, Tête-à-tête, curated with Paloma Picasso, presents an intimate and unconventional dialogue with Pablo Picasso’s work, blending legacy, irreverence, and personal reflection.
British sculptor Thomas J Price’s twin installations in New York spotlight everyday Black figures with monumental presence, challenging traditional notions of visibility, dignity, and public space.
Soft Landscape at Hauser & Wirth Hong Kong offers a profound immersion into Louise Bourgeois’s inner terrain, where sculpture, drawing, and memory converge to map the psychic landscape of trauma, intimacy, and transformation across four decades of work, revealing her enduring exploration of the body, emotion, and the delicate thresholds between vulnerability and strength.
More than a shiny sculpture, the Balloon Dog is a cultural landmark that transforms childhood play into high art. With its towering scale and mirror-polished finish, it invites us to take joy seriously.
An Architectural Digest video of Gwyneth Paltrow’s home ignited an online frenzy when viewers thought they saw a rare Ruth Asawa wire sculpture beside an Ed Ruscha painting.
In 1911, a young Picasso was shockingly suspected in the theft of the Mona Lisa, revealing the era's deep mistrust of the avant-garde.
Sotheby’s May 21 sale of 55 Old Master works from the Saunders collection brought in $64.7 million, far below the $80-$120 million estimate. With nearly half the lots unsold and all works backed by guarantees, the auction revealed fault lines in how traditional art is valued and marketed today.
Even after a topline slowdown, healthy deal volume and a rush of new buyers keep the market’s engine humming.
Women claim a record share of gallery programs and collector spend. Museums racing to fill gaps lift prices for overlooked female modernists.
Works priced $100,000–$1 m hold firm as trophy lots falter. Millennials and Gen Z drive demand through transparent, hybrid sales.
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